[ INT SOL. JOEL is resting his arm on the desk; CROW is leaning his head against JOEL's arm. A light piece of duct tape and a weak piece of twine connect CROW's nose and head to JOEL's arm. TOM is off-camera. ] JOEL: You feel good about this? CROW: Yeah, I'm set. [ TOM enters, with several envelopes in one hand. ] TOM: Hi, guys. What's up? CROW: Ready to tell him? JOEL: I think so. Tom, Crow and I were thinking about the fanfic, and we realized it just made good sense. TOM: Oh, you and he joined in a deep cybernetic linkup so you could fuse your natural talents and abilities to make a combined organism superior to all others? CROW: Uh...yeah, that's about got it. JOEL: We figured it'd be really cool. TOM: So, like, you'll be able to answer the mysteries of the Universe, like why is it on "Scooby Doo" whenever Velma lost her glasses, she immediately became stupid as a bowl of hair? JOEL: Uh...we have limits. TOM: Oh. Did you get one of those psychic linkups too? CROW: Yes. JOEL: [ Simultaneously ] No. [ CROW, JOEL look at each other. ] [ Simultaneously ] JOEL: No. CROW: Yes. [ A beat. ] TOM: I take it there are still quirks in the linkup. JOEL: Yeah, Crow, I'm sure I didn't make a psychic linkup for us. CROW: I'm sure you did, Joel. I can feel your thoughts. JOEL: No way. CROW: Honest. Let me concentrate and try to pick up your mental impressions. JOEL: [ Shaking his head ] I'm sure, but... CROW: Okay. Let's see... [ CROW concentrates. After a few beats, JOEL talks to TOM. ] JOEL: So, uh, what're those envelopes? TOM: Beats me. I just found them in a mayonnaise jar. JOEL: Can I see? TOM: Sure. [ JOEL pulls the first envelope free. ] CROW: [ Suddenly. ] Hot cross buns. JOEL: [ Turning to CROW ] Huh? TOM: Hot cross buns? CROW: I'm sure of it. JOEL: [ Tears open the envelope and reads the card inside. CROW has to work to stay on JOEL's arm during it. ] "What spilled out onto the streets when the air conditioning broke in the middle of the debate session during last summer's rabbit convention?" [ A beat. ] CROW: Hm. TOM: Peculiar. JOEL: We can probably do better. [ JOEL pulls out the next envelope. ] CROW: [ Confidently ] Oberon; Minerva; and Tom Arnold. TOM: Oberon, Minerva, and Tom Arnold. CROW: You heard me. JOEL: [ Opens the envelope; reads the card. ] "Name a moon, a toon, and a goon." [ A beat. ] JOEL: Are you sure this thing is working? CROW: May an overbearing camel bed down in your laundry room. JOEL: [ Shaking his head ] If you say so. TOM: Let's try another. JOEL: [ Takes out another envelope. ] We may regret this. CROW: [ Sharply ] A koala hitman at dinnertime. TOM: A...koala...hitman. CROW: At dinnertime. JOEL: [ Opens the envelope and reads. ] "What eats shoots and leaves?" [ Two beats. ] JOEL: Okay, then. [ Starts ripping the tape and string off CROW. ] CROW: Hey! JOEL: I don't think we make a really powerful team. CROW: Just as well. You get some weird thoughts, Joel. TOM: I knew it. JOEL: I do not! [ MOVIE SIGN flashes ] ALL: AAAAAUGH! JOEL: I wasn't thinking of story sign! [ 6.. 5.. 4.. 3.. 2.. 1.. ] [ ALL settle back in ] > >* * * * * TOM: Where were we again? JOEL: Uh, nowhere. TOM: Oh yeah. > > "WHAT DO YOU THINK YOU ARE DOING?! YOU'RE GOING TO >KILL US BOTH!!" CROW: YES! JOEL: Go for it! TOM: Please! > Sally screamed as they tore across >Robotropolis at speeds that only Sonic could match. Keith CROW: Is just asking for a bunch of traffic violations. >whooped in sheer exhilaration. "PRINCESS, YOU BETTER PRAY >TO EVERY GOD YOU BELIEVE IN THAT THIS BIKE HAS ENOUGH POWER >TO GET US ACROSS THAT CANYON!!!" TOM: That's a pretty long shout, actually. > Sally caught herself as >she saw what Keith was talking about. JOEL: "That's not a canyon, it's just a matte painting!" > The only thing that >could even resemble a canyon near here was the mile-wide >gorge that bordered the Great Unknown. CROW: Yeah, I guess that might be thought of as a canyon, somehow. > She almost lost her >grip in panic. TOM: Yeah, why do anything to avoid plunging to certain doom? > "STOP!!! NO!! TURN AROUND!!!" She shouted >until she was hoarse, but it did no good. Keith aimed for a >chunk of slate, and muttered, "Sasha, afterburners, please." CROW: Great, now it's the Knight Rider video game. >With an ear-splitting explosion, the bike shot forward. The >hoverjets hit the chunk, and the bike's nose angled up. JOEL: Lucky they hit the "space shuttle" model of hovercycle. Think how much trouble they'd be in if they'd stolen the Robotropolis equivalent of a milk truck. >"HERE WE GOOOOOOOO!!!!!!" ALL: [ Singing ] On the Great Space Coaster! > The bike soared across the gorge. >All of a sudden, a kind of peacefulness came over Sally, as >she accepted that she TOM: Had split ends in her tail. > was going to die. The world seemed to >go by in slow motion, and Sally saw JOEL: The "Six Million Dollar Man" marathon. > her life flashing before >her eyes. When the show was over, Sally fainted. CROW: Those clip shows take a lot out of a person. > > "Sally? Hello? Yo, Princess, rise and shine! We made >it!" JOEL: "Oh, great, I finally get a hovercycle and the first thing I do is run over a squirrel." > > "Huh? Wha---," Sally mumbled as she began to wake up. >Her eyes flew open as she remembered what had happened, and CROW: Thought "Oh, man, what was *in* that punch?" >with a grace and speed Keith never thought possible, she >leaped up and tackled the human. CROW: "Oh, no, I didn't, not with *YOU* oh NOOOOOOO!" > > "WHAT did you think you were doing?!" Sally was >furious. Her eyes blazed with such a cold blue flame that >Keith was actually afraid for his life. JOEL: He knew he'd never live it down if he were killed by a squirrel. CROW: Huh? > The feeling passed, >though, as he realized that it was mainly residual panic. TOM: As the feelings of other people are essentially trivial and should have minimal impact on our lives. >He grinned weakly. "S'okay, Princess. We're alive, aren't >we?" Keith's attempt at the Ultimate Argument of Logic >worked. CROW: You know, I'd have guessed the Ultimate Argument of logic would regard the non-denumerability of the Cantor set, or Godel's Incompleteness Theorem, or such...outtakes from "The Dukes of Hazzard" would've been my fifth guess. > Sally's rantings faltered, and the fire left her >eyes. She got off Keith's chest, and allowed him to sit up. TOM: Baka-wow! >"Not bad, Sally! Where'd you learn to do that?" Sally >looked up at him, almost ready to cry, JOEL: What the--this is a counter-revolution! There's no crying in counter-revolutions! > but seeing the >dancing lights in his eyes, couldn't help but start to >laugh. CROW: Ah, the fine cackling of the manically insane. > Her crystal voice echoed across the gorge behind >them, and seemed to fill the Great Unknown with laughter. >Keith couldn't help but join in. The two of them laughed >long and loud, for what seemed like an eternity. TOM: [ Unenthusiastically ] Ha-ha. Ha-ha. > Finally, >they started to calm down. TOM: Whew. > They picked themselves off the >floor, and walked back over to the hoverbike. Sally had >never felt better. JOEL: Not even the time they brought anti-lice shampoos to Mobius. > All the pain and misery that had pressed >down on her shoulders for so many years now seemed much >lighter. CROW: Suddenly the war is *fun* again! > Laughter, she mused, truly is the best medicine. TOM: And a smile is the best umbrella. JOEL: And a puppy is the only love money can buy. CROW: And swimming is the best form of exercise. >Suddenly, a thought struck her. "Keith, did we detonate >those charges?" > > The look on his face was answer enough. He addressed >Sasha. "Um, Sasha, where are those bombs now?" CROW: "They're being turned into pilot episodes for the UPN." > > "JUST A MINUTE. I'M SCANNING NOW." A few seconds >later, she finished. TOM: "We, uh, accidentally left them back home. Sorry about that." > "WELL, ABOUT 75% ARE STILL IN PLACE. >THE OTHERS ARE CURRENTLY ON THEIR WAY TO ROBOTNIK'S >HEADQUARTERS." JOEL: I guess Robotnik would be rather stupid to take the bombs to a disposal area when he could be bringing them to his living room instead. > > "You're a princess, Sasha. Thanks." Turning to Sally, >he said, "Well, we can still do some damage, and even add >insult to injury. What say?" CROW: Why not wait for all the bombs to be taken into Robotnik's headquarters, if that's where they're going? > > Sally smiled. She liked his thinking. "NICOLE, >detonate." > >* * * * * > > The Control Center shook as a massive explosion rocked >the hangar at its side. JOEL: "Okay, kids, this is the fifth time you've done this, now, your mom and I have talked with you before and it's just got to stop." > "Sir, Communications relay is off- >line. Hangar #2 also reports heavy damage." > > "Well, Snively, I told you what would happen if you >failed." Snively cringed and squeaked, as per the custom >for frightened rats. CROW: Oh, now Snively's going to bite and give Robotnik the bubonic plague. > "What happened, by the way, with the >human? I told you to go get him." > > "Uh, w-w-well, sir, we encountered... a problem, sir." > > "And what kind of problem would that be, Snively?" TOM: "Turned out we were wrong and it's wabbit season." >There was something in Robotnik's voice that said he didn't >care what the problem was, but he knew Snively would pay >dearly for it. JOEL: See, this is what happens when Total Quality Management programs get misapplied. > > "Well, sir, the human seems to be... extremely >intelligent. TOM: As he reminded us every other sentence. CROW: Another one! TOM: Would you stop counting? JOEL: It's his cookies now. > He managed to outwit my patrol, JOEL: But, then, hands on a clock outwit his patrols. > and he somehow >hot-wired a hoverbike." CROW: Oh, he just turned it on. > > "Well, Snively, why don't you trace it?" Robotnik's >face was turning an interesting shade of purple. > > "Uh... ummm... TOM: "Doc, I think we're growing apart." > he... he destroyed the homing >transmitter as well." > > "He WHAT?!?!" CROW: I didn't mean it. I don't know what I was thinking. > > What happened next is far too disturbing for me to put >down, TOM: Me? JOEL: What does it say about a story when the third-person omniscient point of view can't stay in character? CROW: It says it's a fanfic. > but let's just say that Snively will wake up several >days later with one mother of a headache. > > "Packbell, you're in charge of finding that blasted >human now. I trust you won't fail me." CROW: Oh, wait, you will fail me. I forgot. > The android looked >down at the inert and bleeding form of Robotnik's nephew, >and hastily agreed. TOM: So, why wasn't Snively roboticized, again? What special talent was Packbell afraid of losing? > >* * * * * > > The two could see the smoke all the way from the Great >Unknown. Keith grinned down at the Princess. "Welp," he >said, "I think JOEL: That's the biggest forest fire I've set in *months*. > we'd best be getting back to Knothole before >they think I hurt you or something." His tone was light, >but Sally picked up the message beneath it. CROW: [ Sounding out Charades ] You want...you want me to go...go to the store, okay, I'm to go to the store and you want me to...to...sounds like "earring"?...uh... > Picked it up >loud and clear. "You know," she said, "there are those who >would be willing to give you a chance, if you'd let them." TOM: Nothing proves trustworthiness more than pulling insane stunts on alien technology. > > "I'm sure there are, but on that note, I'm kinda a >'seeing is believing' person. JOEL: Unless I'm asked to believe a mysterious super-powerful being that only appears in dreams. > Let them come to me, and I'll >give them a shot. Anyway," he said, shaking his head, >"let's head back." CROW: Hang on, could we stop off at Wa-wa first? I really need a super-slushie. > > "All right, but could you take it slow? JOEL: The last thing we need is for this to wander into "Return of the Jedi." > I can only >stand one heart attack a day, you know." > >Chapter 5: Another Chance > > It was midafternoon by the time the two reached >Knothole. Sonic had already organized a search-and-rescure >team, CROW: All this trouble just 'cause they don't have prepaid telephone cards. > and they were just about ready to head out when Sally >ran up and hugged Sonic. TOM: [ As Sonic ] "Oh, great! You can help us look for Sally and that human!" > > "And just where were ya? I was just about to go out >lookin for you!" Sonic was relieved that she was back, >though, and the lecture turned into a long hug. JOEL: Now you just go to your room and think about your not dying. > "So," he >said, as they finally let go, "where's the trainee?" > > "Right here, blue boy!" CROW: Blue Boy, Pennsylvania? JOEL: You behave. > All heads turned and stared at >the human sitting astride his hoverbike, looking like a >cyberpunk's version of a Horseman of the Apocalypse. TOM: Hey, did he just appropriately use a simile? In a fanfic? CROW: It's stunning. We may make it through this yet. > He was >grinning like a maniac. There were some scattered >mutterings, a few scathing remarks, but nothing incredibly >audible. ALL: Murmur murmur murmur murmur murmur murmur. > > Keith turned to the crowd. "What? Haven't I proven >myself yet? My God, what does it take to get you people off >my back?! TOM: It's not that, they're just staring at the headlights. CROW: Yeah, turn the lights off, they'll snap out of it. > Oh, maybe this will help. Sasha, could you call >up that little thing we found back at Robotropolis? You >know the one." JOEL: It's a T-shirt reading "I heart Robotropolis, but Robotropolis doesn't heart me." > > "NO PROBLEM, BWANA." Immediately a holographic display >shimmered into view. It was a detailed set of blueprints >for something called a Death Egg. ALL: [ Snickering ] CROW: Yeah, and later on, the evil Dr. Robotnik is going to invade Knothole and TP their lawns. > > "Oh, my gosh, Sonic! Look at this! He's found the >schematics we've been trying to figure out for the past JOEL: Two sentences! >three weeks!" Looking up at her friend, she asked, "How on >Mobius did you get these?" TOM: Actually, I just cued the laserdisk version of "Star Wars" up to the right scene. > > Keith shrugged. "I guess there's something to be said >for dumb luck. Anyway, now that we know how this works, we >can have a little fun, no?" JOEL: Yeah, with this Death Egg we'll finally make the chickens respect us. > > "I don't know... We'll have to study it carefully. >There may be some surprises in this little toy. TOM: Like there...see? "Choking hazard--Do not give to children under three years old." > Only way to >make sure nothing goes wrong..." > > "...Is if we spend weeks in careful perparation, I know CROW: Genius is one percent inspiration, and ninety-nine percent perparation. >the drill." He opens his mouth in a jaw-cracking yawn. TOM: Ccccrick! Bop! Boing! JOEL: Ih fehh off! Hewp! >"Just hope I can find something to do during the off-time." >He shrugs. "Ah, well, I'll find something. So! What now?" TOM: Maybe he could visit the set of "Super Mario Brothers." > > Sally blinked as something occurred to her. "Wait a >minute! We forgot the sleeping arrangements!" CROW: I'll just use my massive brainpower to create suitable quarters out of pure thought. TOM: FOUL! FOUL! Now he has to give up a cookie to me! CROW: No fair! JOEL: Sounds fair to me, actually. > She looked >around at the crowd. All she heard was more muttering. >"He's already got a place to stay. Better put him back >there." Keith just rolled his eyes and sighed. CROW: But I don't fold up to *fit* in the linen closet. > "Okay, who >said that? Come on, come out. I'd rather see my >persecutors face-to-face, iff'n y'don't mind." Recieving no >answer, he smirked. JOEL: Class, I'm going to turn off the lights and sit down until you show you can control yourselves." > Sally did not like that light in his >eyes. "Aww, c'mon! Don't tell me you're too much of a >coward to say it to my face, are you?" TOM: Maybe they'd be more comfortable offering to sniff each others' rear ends. JOEL: You behave too. > Even though he was >adressing no one in particular, an angry snort went up from >the back of the crowd. Keith heard, and craned his neck. CROW: [ Calling ] Cock-a-doodle-doooooooo! >"Yes? The hatemonger in the back? You have something to >add? Come on, share your feelings with the group!" JOEL: Or we'll just cancel the video. You have to earn the right to see "Inspector Molecule." > The >crowd parted as someone shoved their way up to the front. >It was the badger that had tangled with him the day before. >Keith just grinned. "What's the matter?" TOM: [ Sobbing ] I'm afraid of cosines! > > "What's the matter?! The matter is, I'm tired of >seeing your face! You humans should be wiped from the face >of Mobius!" Keith's eyes grew deadly serious at this >comment. "Is this what you really believe? That I should CROW: Feel freer about breaking up my paragraphs? >be killed?" > > "You're damn right, that's what I think!" Keith >nodded, then pulled out a blaster pistol he'd managed to >acquire from a TOM: Plot point we just thought up. > SWATbot. He handed it, grip first, to the >badger. "Fine. Go ahead." JOEL: "But...uh...this is a Mobian toothpaste dispensor." > > This threw the badger for a loss. "What?" He was >stammering, but he took the pistol, and steeled himself. He >pointed it at the boy's head. But didn't pull the trigger. CROW: Probably has to borrow opposable thumbs from somebody too. > > Keith looked disappointed. "What's wrong? Oh, I see. >I'm too tall. I'm scaring you. JOEL: No, it's toothpaste! We told you that. > Here, I'll get down on my >knees. There, now you can go ahead." They were at eye >level now, Keith gazing into the badger's blazing red eyes. TOM: And the badger counts the days to retirement. >But still nothing. "Now what? Oh, okay, you're afraid >you'll miss. You never were a good shot, and you might >miss, even this close. JOEL: "All right, I'll shoot, but it'll just get cavity protection all over your jacket." > Here." He leaned forward, so that >his forehead was pressed up against the barrel. "You can go >ahead now. You can't miss." CROW: Can *we* shoot instead? > Still nothing. "Come on, one >little squeeze of that trigger, and I'll be out of your life >for good. TOM: Sure it's painful, but just think how bad the moral will be later on. > You'd like that, wouldn't you? Come on, just >one." CROW: Or maybe two, or, uh, nineteen. > The fire in the badger's eyes was faltering. Keith's >voice was hypnotic. "Do it. TOM: Obey... > Do it. JOEL: Must-defrost-the-refrigerator. > Shoot me, and it's >over. CROW: The whole fanfic, over. > Do it." JOEL: Oh, and, after that, every time somebody says 'Chicago' to you you'll think your pants are on fire. > > The badger broke down. The pistol dropped, and he >began to shiver. "I can't. Why can't I?" He began to cry. >Keith drew him close in a comforting hug. TOM: The badger, however, was warned by his parents about being touched this way. > "You can't, >because you do value life, no matter what species it is. JOEL: Except for cougars, coyotes, and any other species that eats badgers. >Hold onto that, my friend, because you may lose it one day, >and then you will be truly damned. Everything's fine now." CROW: Give mommy a kiss now. > > "Keith, I can't believe you did that to him!" Sally >had her hands on her hips, TOM: And her hips on her shoulders. CROW: And her shoulders on her kneecaps. JOEL: And her kneecaps on her forehead. > and she was glowering down at the >boy. > > Keith released the badger, stood up, and looked >directly at Sally. "Would you rather I argued with him, and >got mobbed? CROW: Yeah, that'd be cool to see. > I wouldn't have a chance, and you know it. >Better I make them," he points in the general direction of >the crowd, "see that they do, in fact, have a heart, TOM: Actually, they wanted to see his heart, as I understand. > than I >scream and yell, and get torn to pieces. What do you think? >My methods may be shocking, but they JOEL: Really aren't. > work better than >anything else I could have come up with." As Sally was >considering this, a small hand went up from the back of the >crowd. CROW: Teacher, can I go to the lavoratory? > "He can stay with me!" As the villagers parted, a >teenage raccoon girl could be seen, waving her paw. >"Rebecca? Are you sure about this?" TOM: "Uhm...no, I'm Carol, Rebecca is the crab-eating raccoon down the block." > > "Sally, I've never been more sure of anything in my >life. JOEL: But then I'm three weeks old. > This poor boy hasn't had a proper reception into >Knothole society, and I intend to give him one." She looked >back at Keith. "Come on, it's this way." CROW: If this turns "naughty" I'm going to vomit. JOEL: Wow. > > Just before he left, Sally grabbed Keith's arm. >"Careful, Keith. She seems to have designs on you." TOM: Remember kids, if a girl tries to be friends with a boy, it's cause she's got mysterious "designs" on him. > Keith >just grinned. "And what makes you think she'll get far? I >do have a rather firm resolve, CROW: And as a girl, she's got lots of cooties. > and I think that she'll be >pulling her hair out by the time I'm done with her. Trust >me." TOM: Is this how girls look when you don't have hormones. > He winked at Sally, and walked off with Rebecca. JOEL: I feel like apologizing to every woman everywhere now. > > "So, tell me, why did you volunteer? You realize, of >course, that you're harboring a human, CROW: He's wanted for being a human in two states. > and it'll make you >kinda unpopular." TOM: [ As Rebecca ] "That's all right, I'm already deeply resented for my massive intellect." CROW: Foul! Foul! JOEL: Sorry, Crow, he didn't riff on Keith. CROW: No fair! TOM: Sounds fair to me. > The two were walking through the forest, >getting to know one another. JOEL: [ As Rebecca ] "Another few minutes and we'll get to the kitchen. The campers will have hung all the food from trees, but that never stops us." > Keith regarded his new roomie >with interest. Rebecca MacPherson, the only Freedom >fighter, aside from the major ones, to ever give him a >chance to show his true colors. CROW: Unfortunately, they're mauve and indigo. Yick. > She was pretty, if you went >for that sort of thing. TOM: Yeah, who likes 'pretty' these days anyway? > Her fur was light brown, but silver >on her face and tail. Quite striking, really. JOEL: Slap! CROW: [ As Keith ] I was just looking! > Her raven- >dark hair was parted down the middle, hanging into her eyes >every so often. And the eyes... they were what really got >to him. They were emerald green, dancing and full of life. TOM: But a good antibacterial agent and that'll get all cleared up. >The eyes of someone who's sense of humor would never die. CROW: She's got Andy Kaufmann eyes? >Rebecca smirked as she noticed his scrutiny. "Finished?" >She enjoyed watching his face turn the darkest red she had >ever seen. JOEL: But keep in mind, she's colorblind. > "About your question, I did it for three >reasons. One, because you've gone through a lot, and >deserve to at least be able to sleep nights. CROW: Two, you have a big shiny on your arm. > Two, I meant >what I said back there, about giving you a proper warm >reception." TOM: "Dear Pentmouse: I'm a newcomer to a small midwestern cartoon..." > > "And the third?" He was pretty sure he knew this one. TOM: Which he knew thanks to his... CROW: Oh, boy! TOM: Uh...being the writer. >They stopped, and Rebecca looked up (way up, he's 6 foot!) >into his eyes. "Three, well, I like you. CROW: "I can't imagine why." > From what I've >seen, you're a pretty nice guy, and that's rare in my >opinion." TOM: Yes, remember, male equals cretin. > > The last statement didn't surprise him too much, but he >was still a bit taken aback. "Really? You're kidding, >right?" CROW: Don't ask me, I'm just trying to follow the script. > > "No, Keith, I'm afraid not. Unlike most of those >jerks, I have a very open mind. TOM: Why, I accept everything at face value and never waste time with critical thinking. > If I like someone, it's for >who they are, here," she laid a hand on his chest, "than >what they look like. You see?" JOEL: Aw, she's got an alveoli fetish. > Keith nodded slowly. "Yes, I see. Thanks again, >Rebecca. I can see I'll be enjoying my stay here a lot more >now." > > Rebecca grinned. "Oh, you may enjoy it more than you >think, my friend..." CROW: "So, as a raccoon do you have eight mammaries?" JOEL: For that, Crow, one of your cookies goes back to Tom. TOM: Ha-ha! > > Keith shook his head. "Doubt it. I think you'll find >me to be an interesting challenge." > > "Oh, REally...?" She pounced him, and they started >rolling through the forest, laughing all the way... CROW: Yeah, hey, friend of mine just got a car and we're gonna go stare at its headlights all night. Want to come? > >Chapter 6: Gathering for the Departed > > Weeks went by, and Keith was slowly acclimated to >Knothole society. TOM: But he'd never get used to them being on metrics. > Acclimated, not accepted. People still >didn't trust him, but he had enough friends so he didn't >notice. CROW: So he's got a lot of friends, he just isn't accepted or trusted. > Quite often, he was seen chatting with Sonic, >Sally, having fun with Tails, or discussing computers and >such with Rotor and David. JOEL: And if we had the faintest clue who David was, we'd be impressed. > Other times, he was helping >Bookshire tend to the sick. All in all, he'd lived a pretty >idyllic life in Knothole. CROW: Except for the way everybody hated him. > > One spring day, however, he'd locked himself in his >room. TOM: It's not locked, the door opens *in*, Brainiac. CROW: Does that count? Do I get another cookie? TOM: No! JOEL: Behave, the both of you. > When Rebecca tried to ask what was wrong, all he >could hear was singing. CROW: Rebecca's a 'he'? JOEL: It's hard to tell, under all that fur. > What the songs were about, though, >was what had disturbed her. Keith was singing strange >requiems, sad songs, and some ones seemed to seethe with >rage. TOM, CROW: [ To "The Nutcracker Suite" ] Smurfberry Crunch is fun to eat! A very special breakfast treat! JOEL: Stop. > He only came out to get food, which he did quickly >and with little if any speaking. CROW: He was really upset the animals all hung their food from trees so the humans couldn't get at it. > > Sally reflected on this as she walked to Rebecca's hut. >Apparently, he had sent Tails to her with a message, saying >that it was imperative that he needed to speak with her. JOEL: It's critically important! Take a conference call! >She didn't know what was on his mind, but she, like most of >the rest of Knothole, was out of their mind with curiosity >or worry, depending on how much they accepted the boy. TOM: Or, well, fits of ennui, anyway. > She >knocked on the door, and gasped at the human who answered >it. JOEL: Ed McMahon? CROW: I *never* thought I'd win the American Publisher's Sweepstakes! > He looked like the very image of misery. His hair, >gone unwashed for weeks, was long and hung around his >shoulders. TOM: A world without shampoo and conditioner. A man without Cartoon Network. Something has to give. > His eyes were surrounded with rings so dark, it >seemed as if his face had become a skull. And the eyes >themselves... CROW: There were suddenly two of them. > they were as empty as the darkest chasms on >Mobius. His voice was hoarse with all the singing he had >done. JOEL: His tummy rumbled from all the hamster food he'd eaten. TOM: His elbows were all tingly from accidentally bumping against the desk. CROW: His shins were lightly sprained from soccer practice. > "Come in, Princess." He stepped aside, and Sally >walked in. CROW: [ Weakly, as Keith. ] Uh, no, that's the closet...uh...well, you're the princess... > > "So, what did you need to talk to me about?" Keith >motioned for her to sit. She did, but he remained standing. TOM: Oh, great, he's pulling a Spock maneuver on us. >It seemed he had a lot to talk about. > > "First, I wish to thank you for everything you've done >for me. JOEL: No one else ever cared enough to judge me in a capital case. > You gave me a chance when it seemed like no one >else trusted me. You are my first, and truest friend, TOM: If you forget about Rebecca, yeah. > and I >want to thank you again for that." He ran his hands through >his hair, got stuck halfway, and gave up. TOM: Yick! CROW: Oh, gross! JOEL: I don't want to know what he got stuck on. > "I'm sure you're >wondering just what in Destiny's name I've been doing for >the past month. CROW: [ As Sally ] I am? Oh, yeah, I am. Right. > Well, I've been thinking, and I've >discovered something." > > "And what would that be, Keith?" JOEL: No matter how hard you try, you can't fold a potato chip. > > "That. That's it right there. For the past month, I >feel like I've been... how can I say this? TOM: I'm getting really uncomfortable, guys. > I'm not who I >was when I came here, Sally." JOEL: I've become a raisin collector. > > "What are you talking about?" Sally was genuinely >concerned, and a little afraid. This was totally unlike the >Keith she knew, who was always upbeat, even when discussing >his own death. CROW: Discussing his *what*? JOEL: "Yeah, I've found my mortality has always been just the thing to pick up the conversation." > > "I'm talking about the conditions of my journey here. >You remember what I was told?" > > "Yess-ss, I do. TOM: Had to book three weeks in advance, stay over on a Saturday night, one piece of carry-on luggage, no more than two suitcases, and waived your bonus miles. > You had to give up everything you hold >dear, everything about you world." Keith nodded. "Exactly. >But what I didn't realize was that in order to renounce my >world, I had to renounce my identity." CROW: He's becoming Batman. > > "I don't see..." She was interrupted by Keith. "No, >but you will. JOEL: He's been named the Earl of Kent. > What I mean is that Keith Aksland, the human >who lived on Earth, has died." > > This statement shocked Sally down to the very core of >her being. TOM: The very acorn of her soul. > "What?! What are you talking about? You're not >dead! You're sitting right here in front of me!" CROW: If Sally had just been the main character, she would have understood metaphor. > But some >morbid part of her mind chuckled, looking at him. *Are you >sure about that? Just look at him!* But the thought was >quickly pushed away. JOEL: "I've looked before; he can't be any better now." > "You, Keith, are not dead. You're >standing right here before me, spouting nonsense. Why do >you think you're dead?" TOM: "Well, I don't have a pulse, haven't breathed in two weeks, and I keep seeing long-dead relatives beckoning me home." > > He rolled his eyes and sighed irritably, as if trying >to get a toddler to understand a basic truth. "What I mean >is TOM: My super-brain has transcended your petty 'life' and 'death'! CROW: Another one for me! TOM: He deserved it! > that I have renounced my past life, as well as my world, >and, in fact, I am no longer human." Sally was about to say >something, but he quickly grabbed her hand and put it to the >top of his head. CROW: "I can pat your stomach and rub your head at the same time!" > She felt around for a second, frowning, >when she felt it! TOM: Ew... > It was barely beginning to push through, JOEL: The weirdest "dirty" scene I've ever read. >but she was sure of what it was; ALL: [ Squirming ] No! No! Spare us! > an ear! CROW: Huh? TOM: An *ear*? JOEL: Keith has gone bye-bye now. > She quickly felt >the other side... another! She withdrew her hand, more >confused than ever. CROW: So, Sally is completely unaware of the existence of ears? > He looked at her. "Though I'd rather >not show you, JOEL: He's a man with ears that almost poke out of his hair. Don't cross him. > I'm also feeling the beginnings of a tail. CROW: It looks just like the one my pet guinea pig used to have. > I >don't think it'll be long before the transformation resolves >itself." TOM: Yeah, it's just taken a month to get the beginnings of a tail. This should be wrapped up in another five hours. > > "O-okayy-yy, but what till then?" > > "I think it's best if I went out into the Forest to >finish this off. JOEL: After all, this has *never* happened to any of the other humans who come through to Mobius every other fanfic. > When I return, we will honor the dead." > > "Honor the dead? TOM: Yeah, you know. Gus Grissom, Benjamin Franklin, Tex Avery, and Franklin Delano Roosevelt. > A funeral? But what..." Sally >looked in his eyes, saw the grim resolve set into them, and >gave up protesting. CROW: "Would you just *go* already?" > "All right, but are you sure you'll be >okay?" JOEL: "Sure, I've got everything in the world I need right here, like, uh..." > > "No. But if anything does happen, tell them all thank >you for me. TOM: Thanks for what? Not killing him too often? > And please, if I don't survive this, give me a >proper burial. I didn't live as a criminal; I don't intend >to be remembered as one." JOEL: "Oh, we didn't figure to remember you at all." > With that, he shook Sally's hand, >hugger her briefly, and walked out. CROW: [ With British accent ] Hugger off, Lordship! > >* * * * * > > For a couple of days, no one had seen hide nor hair of >the boy. TOM: But that's just because they're all nocturnal and... > Then, on the third night, there came a shriek >tearing out of the Forest as of some eternally damned >spirit. CROW: Joe Barbera? > Those awake never slept, and those asleep were >plagued with nightmares. JOEL: They imagined they were in Sonic the Hedgehog fanfics. > Even in far-off Robotropolis, Dr. >Ivo Robotnik, ALL: [ Snickering ] Ivo? JOEL: Well, I'd be evil if that was my name. > the only living being to function without a >heart, shivered and moaned in his sleep. CROW: Again with the images we don't want to live with. TOM: Can we take a break? JOEL: [ Picking up TOM ] Yeah, it's about time. [ 1.. 2.. 3.. 4.. 5.. 6.. ] [ INT SOL. TOM, JOEL, and CROW are standing around, talking. ] JOEL: Wow. Guys, you know, the villain of the Sonic stories here, Ivo Robotnik, really does have an evil name. TOM: An evil name, you say? JOEL: Certainly, Tom. Just try saying it. "Ivo Robotnik." The syllables conjure up visions of a foul, despicable man. CROW: Yeah, I see it. TOM: So you're suggesting that names control our destiny? JOEL: Not that strong a suggestion, Tom. But within the confines of a story, something as simple as what name a character has can go a long way to defining his personality. CROW: So if you want an evil character, it helps to have an evil name for him or her? JOEL: Exactly, Crow. TOM: I kind of see what you're saying. For instance, if you were a character in a story, Joel, you couldn't be evil. 'Joel Robinson' just doesn't pass as an evil name. CROW: No; no, he couldn't. Maybe if he had a different first name, though. TOM: Yeah, like...how about 'Bentley'? JOEL: Bentley? CROW: Sure. Bentley Robinson, daring and ultra-slick super-secret- agent. [ JOEL beings pantomiming to CROW's movie-announcer-like recitation. ] Fast with a gun; faster with the ladies...he knows all the moves, he knows all the secrets, and this summer, he's going to take Washington D.C. hostage. JOEL: [ Standing normally again. ] You got it. How about you, Tom? TOM: Hmm. 'Tom Servo' isn't that evil a name. JOEL: No, it's not. But what if instead you were...hm... TOM: Walt Servo? CROW: Nah. TOM: Jim Servo? JOEL: Definitely not. TOM: Lazarus Servo? CROW: Maybe we can come back to you. Try me instead! JOEL: Okay, Crow...do you think you'd be evil if you were 'Stan T. Robot'? CROW: No...I think I might be an accountant, though. TOM: How about 'Dar T. Robot'? CROW: Hmm... [ Moves around, as though fitting the name. ] Dar T. Robot. They thought he was locked away. They thought he was harmless. They thought he was powerless. They were wrong. This August, they're going to pay. JOEL: Okay, so we've found a good evil name for you. Brings us back to Tom here. How about 'Jerry Servo'? TOM: Too cutesy. CROW: 'Big Bad Bill Servo.' TOM: Sounds like a chili recipe. JOEL: 'Scott Servo?' TOM: That's more a morning DJ's name. CROW: That is pretty darned evil, Tom. JOEL: True. TOM: Still not me, guys. Or, me as an evil person, anyway. JOEL: Why not try some names from the fanfic? 'Ivo Servo?' TOM: Bleah. CROW: 'Bookshire Servo'? TOM: Sounds like a land management plan. JOEL: 'Keith Servo'? TOM: It's not working. Guys, maybe you just can't give me a name that would inherently suggest I was evil. JOEL: 'Blackjack Servo'? CROW: Blackjack Servo: Exiled to a penal planet for crimes humanity would not face...Labor Day weekend, he's going to make them face him again. TOM: Hey, you've got it. I *could* be pure evil if I had the right name! CROW: Great! TOM: Yeah. So, what have we learned? JOEL: Uh... CROW: We learned...uh.. TOM: That with a slightly different name, we wouldn't be carriers of right and good? JOEL: I guess so. CROW: Maybe there is no lesson. Maybe it's a cautionary tale. TOM: There you go. Parents--and parents-to-be: Don't give your children names that will make them evil. CROW: Right. It results in a lot of heartbreak, and fanfics. JOEL: There you go. You guys are learning all the time. [ COMMERCIAL SIGN flashes. ] JOEL: We'll be right back. TOM: But we won't be evil. [ BREAK ]